Ernest Hemingway Book Manuscripts

This series runs from item #1 through item #222a. It includes all manuscript materials (drafts, notes, typescripts, galleys) for the published books. Both novels and collections of short stories are included.

Book manuscripts are listed alphabetically by title.

[ Across the River and Into the Trees ]
[ Death in the Afternoon ]
[ A Farewell to Arms ]
[ The Fifth Column ]
[ The Fifth Column and the First 49 Stories ]
[ For Whom the Bell Tolls ]
[ Garden of Eden ]
[ Green Hills of Africa ]
[ The Hemingway Reader ]
[ in our time ]
[ In Our Time ]

[ Islands in the Stream ]
[ Men at War ]
[ Men Without Women ]
[ A Moveable Feast ]
[ The Old Man and the Sea ]
[ The Sun Also Rises ]
[ Three Stories and Ten Poems ]
[ To Have and Have Not ]
[ Torrents of Spring ]
[ True at First Light ]
[ Winner Take Nothing ]

Across the River and Into the Trees
1.	EH Typescript/Manuscript With corrections in ink and pencil. Dated Cortina d'Ampezzo, March 1949. pp. (2pp.), 2-3, (1p.), 4-40, (1 p.), 41-48, 48bis, 49, 49bis, 50-124, (1p.), 125-143, 143bis, 144-155, 157-187, 187-191, (1p.), 192-202, (1p.), 203-242, 241-244, 244-271, 271-294, 296-356, 356-364, 364-371, 373-381. 407pp. [Oversize, Cage, Box 2, #44] Young/Mann 1B and 1J
2.	EH Typescript/Manuscript, continuation. Ink manuscript headed "3rd Take -- Next to Last Chapt. 30/11/49." Begins "The colonel heard a shot behind him. . ." in the middle of published Chapter 40. Young/Mann 1T
3.	EH Typescript/Manuscript, continuation. Pencil manuscript w/blue pencil corrections, headed "Next to last chapter -- Second take." Begins "I wish that they would fly. . ." in the middle of published Chapter 40 and goes through the middle of Chapter 41. pp. 1-6. 6pp. Young/Mann 1Fii
4.	EH Typescript/Manuscript, continuation. Typescript w/ink corrections beginning 'This is what the Colonel thinks about. . ." to the end of published Chapter 40. pp. 1-7. Young/Mann IF (but no "No. 1")
5.	EH Typescript/Manuscript, continuation. Pencil manuscript originally in two red notebooks, headed "To follow previously labeled Next to last chapter -- 4th Take page 1." Begins "I never give her anything. . ." at the middle of published Chapter 41 through the end of book. First notebook pp. 1-49, 49bis. Second notebook pp. 50-61. 62pp. Young/Mann 1Fiii and 1FV
6.	Carbon Typescript. W/first page also in original typescript. First page original has corrections in ink, and few pencil corrections in other hand in carbon transcript. pp. 1, 1-117, (1p.) Young/ Mann 1D
6a.	Carbon Typescript, #3. Mixed chapters from a second carbon of another early draft. 234 pages with ink manuscript and pencil corrections, with full passages that have been deleted form the published version. An early un-sanitized draft of this work. Differs significantly from other early drafts and the published version. 1, 1-117, 234pp. Donor: Maria Riva, opened April 2007
7.	Carbon Typescript, continuation. Found separately. W/corrections in ink and pencil by EH and other. EH note on p. 226: "Checked out 1/3/50." W/ink EH note on Gritti Palace Hotel stationery: "Working copy to follow the triple spaced one that has not arrived. Proceeds after page 237 in the triple spaced. 28/2/50 EH." pp. 137-216, (1p.), 217-226, (1p.) 92pp. Young/Mann 1I
8.	Carbon Typescript, continuation. Typescript and three carbons of the EH Typescript/Manuscript pp. 350-381. original has corrections in ink by other EH. Carbons have typographical corrections in other hand. Follows Carbon Typescript p. 226. pp. 350-371, 350-371. 44pp. Young/Mann 1K
9.	Carbon Typescript, continuation. Typescript and three carbons of the EH Typescript/Manuscript, continuation headed "3rd Take -- Next to Last Chapt. 30/11/49." Only original microfilmed. pp. 1-3. 3pp.
10.	Carbon Typescript, continuation. Typescript and three carbons of EH Typescript/Manuscript, continuation headed ''Next to last chapter -- Second take.'' Only original and first carbon microfilmed. unnumbered. 4pp.
11.	Carbon Typescript, continuation. Typescript and three carbons of EH Typescript/Manuscript, continuation beginning ''This is what the Colonel thinks about... " W/pencil note by EH on first page of original: ''Write this 2/3/50." Only original and first copy microfilmed. pp. 1-5, 1-5. 10pp. Young/Mann 1L
12.	Carbon Typescript, continuation. Typescript and three carbons of EH Typescript/Manuscript, continuation headed ''To follow previously labelled Next to last chapter -- 4th take page 1." Original has pencil corrections in EH hand. Carbons have pencil and Ink corrections by EH hand and other. Only original and first carbon microfilmed. pp. 1-4, 21-28, 50-52, 1-4, 21-28, 50-52. 30pp.
13.	Setting Copy. Typescript w/few pencil and ink corrections. Note by Mary Hemingway: 'First copy of first typed mms. of 'Across the River and into the Trees', with corrections in EH handwriting and also by Gigi Viertel, now dead. Corrections were made in the late fall of 1949 aboard Ile de France and at Ritz Hotel, Paris. M. "Galley markings. pp. 1-62, (p.), 63-306, 1p.), 307-369. 371pp. Young/Mann IA
14.	Insert to p. 63. One page typescript and two pages pencil manuscript, identical to p. 63 insert in Setting Copy. 3pp. Young/Mann 1G and IH
15.	Photocopy. Positive photocopy of a typescript, no corrections. Pages 1-51 fit in before p.52 of the Photocopy/Typescript (no. 16). Photocopy pages 52-62 and the seven unnumbered pages of the Photocopy/Typescript are the negatives of this set. pp. 1-62, (7pp.) 69pp.
16.	Photocopy/Typescript. Negative photocopy of a typescript. Corrections in both ink and pencil by EH and other. pp. 52-72, (7pp.), 80-157, 159-169, 171-233. 180pp. Young/Mann 4M
17.	Carbon of Photocopy/Typescript. No annotations. Missing pages 158 and 170 in the Photocopy/Typescript are present in the carbon. pp. 124-223. 70pp.
18.	Cosmopolitan Carbon Typescript. No annotations. W/title page and paper covers. Typed on cover: "Cosmopolitan" and "3". pp (1p.), 1-238. 239pp and cover. [Oversize, Cage, Box 2, #43] Young/Mann 1C
19 .	Galleys. Uncorrected set, w/some pencil annotations in another hand. Galleys 1-87. 87pp. Young/Mann IE [Oversize]
20.	''Marcelle's notes for Mr. Hemingway 19 Dec 1949." Notes on corrections for French phrases. 1p. Young/Mann 1R
21.	Word count. One page of word count, in ink. Dated July 49 - August 51. Most probably referring to Across the River. . . 1p. Young/Mann 10 See also # 770a

[ top ]

Death in the Afternoon
22.	Typescript/Manuscript. W/ink and pencil manuscript and corrections. Page 81 found elsewhere and inserted into typescript. Also see additional page 50 (#23). pp.1-4, (1p.), 5-6 (1p.) 7-15 (1p.), 17, (6pp.), 18-55, (5pp.), 56-62, (2pp.), 63-66, (1p.), 67-70, 70bis, 71-72 (1p.), 71-73, 73-90, 90bis, (1p.), 91-95, (1p.), 96, 96a, 97-115, 115, 115bis, 116-120, (1p.), 116-117, (2pp.), 118-119, (1p.), 120-130, (2pp.), 131-135, 133-141, (7pp.), 142-145, 145bis, 146-149 (1p.), 150-152, 151-163, (1p.), 164-171, (1p.) 172-182, (2 pp.) 183-213. 268pp. Young/Mann 4A
23.	Typescript/Manuscript. Additional page 50. No corrections. 1p.
24.	Manuscript of ''Last Chapter.'' Ink manuscript w/corrections. pp. 1-4, (2pp.), 5-7 (1p.), 8-37, (1p.), 38-42. 46pp. Young/Mann 4K
24a.	Manuscript of ''New Chapter.'' Pencil manuscript fragment beginning ''It is a strange country, Spain..." pp. 74-76, 74. 4pp.
24b.	Manuscript Fragment. Pencil draft, beginning "It may seem out of place. . ." W/one page false start and one page EH Typescript. Mentions Waldo Frank. pp. (2pp.), 2-7, (1p.). 9pp.
25.	Manuscript of Glossary. Ink and pencil manuscript. pp. 1-33, (1p.), 33-49, (1p.), 50-53, 53-99, (1p.), 100-108, (1p.), 109-126, (1p.), 127-129, (1p.). 137pp.
26.	Manuscript of ''Some Reactions.'' Ink manuscript headed ''Appendix A." pp. 1-9. 9pp. Young/Mann 4C
27.	Manuscript of "A Short Estimate." Pencil manuscript. pp. 1-3, (1p.), 5. 5pp.
28.	EH Typescript. ''A Short Estimate.'' Headed ''Appendix D." W/pencil corrections. pp. 1-5. 5pp. Young/Mann 4D
28a.	Partial typescript of "Dates on Which Bullfights Will Ordinarily Be Held in Spain..." Beginning w/August 15. Uncorrected. pp. [1], 2. 2pp.
29.	Manuscript of Picture Captions. Pencil. pp. 1-69, 69, 69, (1p.), 70. 73pp. Young/Mann 4N
30.	Manuscript lists of captions:
		1. Pencil manuscript of 44 captions. pp. 1-2 2. Ink manuscript of ''absolutely necessary photographs'' and "necessary photographs.'' pp. 1-5 3. Pencil manuscript of two miscellaneous captions. One page bears financial notes. 3pp.
	10 pp. in all. Young/Mann 4B
31 .	Typescript of ''A Natural History of the Dead.'' Extended version containing four additional pages. W/pencil corrections. Also pencil manuscript of last four pages. pp. 1, (1p.), 2-9, (1p.), 10-192, 10-15. 20pp. see also # 812
32 .	Typescript of "A Natural History of the Dead." Removed from the setting copy of Winner Take Nothing . Signed in ink on the first page. W/ink and some pencil corrections. pp. 1-9. 9pp. Young/Mann 22A
33 .	Manuscript Fragment from ''A Natural History of the Dead.'' Pencil manuscript written on both sides of the page, beginning ''The thing that I remember most about a battlefield..." 1p. Young/Mann 70
33a.	Typescript Fragment from "A Natural History of the Dead.'' W/pencil corrections. Begins ''shelled but few travellers could take a good full breath..." pp. 6-7. 2pp.
34.	Setting Copy. Typescript w/many pencil corrections. Galley markings. Ends w/galley 84. pp. 1-6, (1p.), 7-110 110A, (1p.), 110B, (1p.), 11OC-110J, 111-122, 122A-122B, 123-132, 132A-132B, 133-137, 137A-137D, 138-144, 144A-144C, 145-153, 153A, 154-184, 185-218. 244pp. Young/Mann 4L
35.	Setting Copy, continuation. Glossary. Typescript w/pencil corrections. Galley markings. Galleys. Verso: p. 1. Young/Mann 4H
36.	Setting Copy, continuation. Some Reactions, headed ''Appendix A.'' Typescript w/pencil corrections. Galley markings. Galleys 110-112. pp. 96-100. 5pp. Young/Mann 4C
37.	Setting Copy, continuation. "A Short Estimate of the American, Sidney Franklin, as matador." Typescript with some EH pencil corrections. Galley markings. Stamped June 10 and July 19, 1932. Galleys 113-114. pp. 1-3, (1p.), 4. 5pp.
38.	Setting Copy, continuation. Pencil and manuscript and typescript of ''Bibliographical Note" and ''Dates of Bullfights.'' W/marginal notes. Galley markings. Bibliographical notes stamped August 2,1932; Dates stamped July 11, 1932. Galleys 115-117. Numbered in red on lower right corners. pp. 1-17. 17pp. Verso. p. 3.
39.	Manuscript of p. 46 of Setting Copy. Typescript and pencil manuscript. pp. 46, 46bis, 46. 3pp.
40 .	Manuscript of pp. 110-110G of Setting Copy. Includes ''A Natural History of the Dead.'' Typescript and pencil. pp. 110A-110C, 2, 110D-110L. 13 pp. Young/Mann 4F
41.	Early Typescript Draft for pp. 137A-137D of Setting Copy. W/pencil and ink corrections pp. 137A-137C. 3pp. Young/Mann 4F
42.	Manuscript of pp. 144A-144C of Setting Copy. Pencil manuscript. pp. 144A-144H, (1p.), 144I. 10pp. Young/Mann 4F
43.	Early manuscript Draft for pp. 144A-144C of Setting Copy. Pencil manuscript, part only. pp. 114G-144H. 2pp.
44.	Manuscript of p. 153A of Setting Copy. Pencil manuscript. pp. 153A-153C. 3pp.
45.	Manuscript of pp. 209-211 of Setting Copy. Titled ''Cruelty in the Bull Ring" on draft. Pencil. pp. 1-5. 5pp.
46.	Early Draft of pp. 217-218 of Setting Copy. Typescript and ink manuscript w/corrections. One page has been torn in half and half of the text was not used in the published book. 2pp.
47.	Typescript. Headed ''Inserted in Bull Fight Books'' beginning ''But, you say, why do you write of the bull. .'' Early draft of pp. 218-219 of Setting Copy?? W/ink corrections. Two drafts. pp. 1-3, (1p.). 4pp.
48.	Miscellaneous or Discard Manuscripts of Setting Copy. Ink and pencil manuscript pages which were located w/typescript, but which were not used in final publication. Includes Old Lady conversations and an introduction to illustrations. Three of these pages are part of a four page sequence at p. 137. pp. 122A, (2pp.), 2, 137D. 5pp.
49.	Galleys. Pencil corrected galleys, dated on versos. Also some dates stamped on rectos. With many pencil corrections, inserted pages, and pasted additions. One memo, July 13, 1932, from Miss Beam to Mr. Leach on Charles Scribner's Sons letterhead inserted before Galley 97. Galley 1 is missing and Galley 2 is in extremely poor and incomplete condition. Also 9 pieces duplicating galleys in set, w/many pencil corrections. Galleys 2-59, (3pp.), 60-66, (3pp.), 67-80, (3pp.) 81-96, (5pp.), 97, 97-109, (3pp.), 109-117, (6 galleys, 9pp.). 151pp. Young/Mann 4P [Oversize] Galleys dated as follows on versos:
		Galley	Date
		2-13	June 15, 1932
		14-19	undated
		20	April 1, 1932
		21-25	undated
		26-28	June 20, 1932
		29	April 5 and June 20, 1932
		30-36	June 20, 1932
		37	undated
		38-49	June 20, 1932
		50	April 12, 1932
		51	June 20, 1932
		52	undated
		53-60	June 20, 1932
		61	April 12 and June 20, 1932
		62-66	June 20, 1932
		67	April 12 and June 20, 1932
		68-76	June 20, 1932
		77-79	undated
		80-81	June 20, 1932
		82	June 21, 1932
		83-84	undated
		85	June 21, 1932
		86-112	undated
		113	June 21, 1932
		114	undated
		115-117	August 4, 1932
		Caption 1	June 22, 1932
		Caption 13	August 4, 1932?
		Caption 27	June 23, 1932
		Caption 40, 59, 69	undated
50 .	Manuscript of insert to Galley 60. Pencil. pp. 1-7. 7pp.
51.	Manuscript of insert to Galley 67. Pencil. pp. 1-10. 10pp.
52.	Manuscript of insert to Galley 81. Pencil. pp. 1-5, (1p.). 6 pp.
53.	Page Proofs. Two Pages of Proofs for pages 501-504, "A Short Estimate..." 2pp. [Oversize]
54.	Word count. Ink manuscript. 1p. Young/Mann 4E
55.	''Introduction to Glossary'' not used in book. Ink manuscript. Typescript w/pencil corrections of same. pp. 1, (1p.), 2. 3pp.
56.	"The bull comes out. He is one of the two bulls that were drawn..." Pencil manuscript. DIA[?] Young/Mann 40
57.	"New Chapter Cogidas." Pencil manuscript. See manuscript of "Death of Bullfighters" (#58) for another draft of same. DIA[?] pp. 1-6. 6pp. Young/Mann 4I
58.	Death of Bullfighters." Ink manuscript. See manuscript of "New Chapter Cogidas" for draft of same. DIA? pp. 1-8. 8pp. Young/Mann 4J
59.	"For a long time the part I looked forward to least. ." Unidentified ink manuscript. DIA[?] pp. 189-196. 8pp.
60.	"I remember going out to the bull ring in Madrid..." Pencil manuscript of an insert to page seven. DIA[?] pp. 1-3. 3pp.
61.	"And up in Sidney's rooms the ones coming to ask. . ." Pencil manuscript of the insert to galley 81. pp. 2-3. 2pp.
62.	"This belief was the result of observation. . ." Pencil manuscript headed "insert, galley 79 -- line 9." pp 1-5. 5pp.
63.	"All right, you say, what does this fellow want. . ." Pencil manuscript. Early draft of # 50 . pp. 1-2. 2pp.
63a.	Typed Excerpts. Carbon Typescript headed: "Excerpts from D.I.A." W/MH ink notes. Probably used for ABC's 1968 documentary, "Hemingway's Spain." pp. 2-4, 4-A, 5. 5pp. MH APT-I, unfoldered [Opened April 1990]
See also #91f

[ top ]

A Farewell to Arms
64.	Manuscript. Pencil. The end of the manuscript is found in three notebooks. EH has signed the cover of the first and has written ''The World's Room / Book 1 / Nights and Forever'' (pp. 588-616). The second notebook is dated '' Aug 21'' (pp. 617-641). The third notebook includes pages 642 to the end. Fragment pieces, removed from the manuscript are also included. Pages 206-209, 397-398 and 478-479 are skipped in numbering, not missing. pp. 1-9, 9-21, 21bis, (1p.), 22-86, (1p.), 87-97, (1p.), 98-102, (1p.), 103-104, 104-122 (1p.), 123-129, 129-149, (1p.), 150-155 (1p.), 156-167, 168bis, (1p.) 169-197 198-199, (1p.), 200-201, 201-205, 210-268, 268-296; (1p.); 297-320, (1p.), 321-337, 337bis-396, 399-424, (1p.) 425-469 (1p.), 470-477, 480-482, (1p.), 483-557, 558-588, (1p.), 589-650, 650bis-652, 651-652, 201-202, 202-209, 489. 681pp. Young/Mann 5A
65.	Typescript. Few ink and pencil corrections. In cloth binder. Original of the setting copy (no. 66). W/an erased note by F. Scott Fitzgerald on p. 241: ''This is one of the most beautiful pages in all English literature." pp. 1-22, (1p.), 23-138, 129-141, 152-154, 145-162 (1p.) 163-170, (171-18l), 182-320, (1p.), 321-322. 325pp. [Oversize, Cage, Custom Box, #29]
66.	Setting Copy. Carbon typescript (see no. 65 for original). W/very few corrections by EH. W/galley markings pp. 1-172, (1.p.) 173, (1p.) 174-179, (1p.), 180-320 (1p.), 321-322. 326pp. Young/Mann 5C
67.	Manuscript Fragment. Ink manuscript on graph paper beginning "It was a hot night. . ." Young/Mann identify this as a draft for the opening of FTA. 2pp. Young/Mann 5G
68.	Manuscript Fragment. Pencil draft of the conversation between Lt. Henry and the priest in Chapter XI, beginning ''You love God like that?..." pp. 168-170, (1p.). 4pp.
69 .	Manuscript Fragment. Pencil fragment beginning "'That spring and summer was the time of the great victories. . . " p. 30. (1p.) Young/Mann 276
70.	Drafts of ending. Miscellaneous pencil and typed manuscripts. Some pages numbered. 44pp. Young/Mann 5F
71.	EH Typescript. W/some pencil corrections. pp. 2-44. 43pp.
72.	Galleys. Marked 'Foul" and dated May 2, 1929 to May 10, 1929. Some pencil corrections and marginal annotations by EH and Maxwell Perkins, and pencil and red pencil printer's markings. Galleys are interspersed w/small notes bearing book numbers. Galleys 1-12, 14-37, 40-42, (1p.), 43-49, 53, 56, 58-59, 61-64, (1p.), 65-75, (1p.) 76-79. 69 galleys. 72pp. Young/Mann 51 [Oversize]
73.	Galleys for Scribners Magazine. W/corrections and printer's markings. W/one page EH typescript.
		Book 1: Galleys 1-19, (1p.). Dated 2/18/29 Book 2: Galleys 1-14. Dated 3/5/29 Book 3: Galleys 1-14, 13-17. Dated 3/25/29 Book 4: Galleys 1-16. Dated 3/25/29 Book 5: Galleys 1-18. Dated 4/15/29 Book 6: Galleys 1-19, 19, (1p.). Dated 4/22/29 and 6/4/29
	57 pp. in all. Young/Mann 5H and 5J [Oversize]
74.	Galleys. Marked "Foul." Dated July 10, 1929 to July 22, 1929. Very few pencil corrections. Printer's markings. W/an office memorandum on a change in the galley on Charles Scribner's Sons paper. Galleys 1-47, (1p.), 48-87. 88pp. Young/Mann 5K [Oversize]
75.	Introduction to Illustrated Edition: Notes 1p. Draft beginning. 1p. EH Typescript. W/some pencil corrections. pp. 1-5. Typescript. pp. 1-7. 14pp. in all
75a.	Introduction to Illustrated Edition. Typescript. Carbon typescript w/one pencil correction on page one. Titled in type: ''Introduction for Illustrated Edition of A Farewell to Arms. " pp. 1-7. 7pp.
76.	Titles. Pencil manuscript of many possible titles for the book, "A Farewell to Arms" among them. 1p.
76a.	Titles. Pencil manuscript of possible titles for the book. 1p.
77.	Fitzgerald's Notes. Pencil notes by F. Scott Fitzgerald on FTA . W/EH annotation at end. unnumbered. 10pp. see also # 240 , 265 , 521 , 633 , 818

[ top ]

The Fifth Column
78.	Production script for production. W/pencil and ink corrections, also manuscript. A revised draft of his work done by someone else and EH. Changes made for purposes of production. Small pencil numbers and letters in upper right corners were placed there by conservator and were accidentally left on before mylar encapsulation.
		Scene 1. pp. 1-6 Scene 2. pp. 1-7, (7pp.), 8. Scene 3. pp. 1-18, 15-21, 19 Scene 4. pp. 1-11, (1p.), 12, (4pp.), 13-18, (1p.), 19-20, (7pp.), 21-22. Scene 5. pp. 1-3, (25pp.), 4-7. Scene 6. pp. 1-18. Scene 7. Manuscript. pp. 1-36. Typescript. pp. 1-11, (1p.), 12-16, (1p.), 17-19, (1p.). 20-21. Scene 8. Manuscript. pp. 1-5, 2, 6-25, (3pp.), 25-49, 45-55 [Oversize, Cage, Box 2, #30 (pp. 52 only)]
	The two drafts for Scene 7 are different. 256pp. Versos: Scene 4 page 22, Scene 5 page 7, Scene 6 page 18, Scene 7 typescript pages 2 and 11, Scene 8 page 5 and 52 Young/Mann 6A
79.	Manuscript. Scene 6. Pages 41-43 and 55-56 have been removed from this draft and placed w/ fragments. pp. 1-10, 10A. 11-30. 31PP. Young/Mann 6B
80.	Fragments. Mostly typescript one page pencil manuscript notes. Isolated pieces from several drafts. Pencil numbers in upper right corners on encapsulated sheets were placed there by conservator and accidentally not erased. 44pp. Young/Mann 6A and 65 see also # 522a
81.	Typescript. Carbon typescript bound in paper wrappers. Typed on title page: ''Copyrighted -- 1938. Property of Joseph Losey, 1430 Broadway, New York City.'' W/few pencil corrections by EH and one page pencil manuscript insert in Act I Scene 3. Production script. pp. (3pp.), 2-38, 38-39, (2pp.), 2-16, 16-34, (2pp.), 2-10, 12-15, 17-39, (1p.), plus wrappers. 117pp. [Oversize, Cage, Box 2, #42] Young/Mann 6C

[ top ]

The Fifth Column and the First 49 Stories
82.	Galley. Galley A for the Preface. W/pencil and ink corrections. Signed by EH in pencil at bottom. Stamp dated August 24, 1938 and September 1, 1938. 1p. Young/Mann 7iii
82a.	Typescript. Pencil corrected typescript of the preface, used as the setting copy. W/printer's markings. Stamp dated ''AUG 23 1938'' on all pages. ''RUSH!'' in red on first page. pp. 1-3. 3pp.
82b.	EH Typescript Carbon. Untitled, pencil corrected draft of the preface, all enclosure in a TLS Carbon, 18 Aug 1938, Cooke City to Joe [Joseph Losey]. pp. 1-3. 3pp.
82c.	Table of Contents. Torn out page of the table of contents from a published copy of the book. The Fifth Column is not listed as one of the contents. W/EH pencil notes marking which chapters were mentioned in the preface. pp. vii-viii. 2pp. MH APT-F, unmarked folder [Opened April 1990]
	see also # 313 , 522a and 691

[ top ]

For Whom We Bell Tolls
83.	Manuscript/EH Typescript. Pencil manuscript and pencil corrected EH typescript red pencil corrections and manuscript also. Chapter 32 in two versions: holograph and a carbon typescript w/EH corrections. (See #84 for the original typescript w/different EH corrections.) The insert after page 3 was taped over on page 4 of the original. Pages 589-592 are skipped in numbering, not missing. pp. (1p.), 1-3, (1p.), 4-7, (2pp.), 8-26, (1p.), 27-50, (3pp.). 51-61, (8pp.), 62-69, (1p.), 70-119, (1p.), 120-212, 212-221, (1p.), 222-263, (7pp.), 264-293, (4pp.), 294-295, (6pp.), 296-303, (1p.), 304-306, 2pp.), 307-309, (1p.), 310-313, (2pp.), 314, (1p.), 315-321, (320-321), 322-349, (1p.), 350-382, 382-417, (1p.), 418-426, (3pp.), 427-472, (1p.), 473-492, (1p.), 493-518, (2pp.), 519-537), 537-545, (6pp.), 546-550, (1p.), 551-584, 584-588, 593-594, (1p.), 595-614, (4pp.), 615-694, (19pp.), 695-699, 2-14, (5pp.), 15-24, 1-6, 1-5, 674-677, (1p.), 678-679, 1-7, (7pp.), 8-16, 1-4, 4, 5-10, 1-10, 1-16, 1-7, (11pp.) 8-17, 1-13, 1-9, 1-5, (2pp.), 6, (1p.), 7-12, (1p.) 13-20, 1-7, (8pp.), 8-28, (1p.), 29-38, 1-25, (2pp.), 26-56, (1p.), 57-98, (1p.), 99-105, 105-132. 1146pp. Versos: pp. 48, 49, 50, 51, 57, 67, 68, 69, 70, 72, 73, 74, 85, 95, 218, 338, 344, 459, 483, 681, 39.1, 40:6, 43:34, 43-42. Unaccounted for pages are copies of manila folders. Note by EH on first folder that held this manuscript: "This, the original manuscript of For Whom the Bell Tolls was written in Cuba in the Hotel Sevilla Biltmore and at San Francisco de Paula in the Finca Vigia from March 1939 until late August 1939, at Sun Valley, Idaho from September 20, 1939 until December 6, 1939 and was written at the Finca Vigia from Christmas 1939 until July 21, 1940 when the first draft was completed. It is for G.A.Pfeiffer who also owns the manuscript of A Farewell to Arms in appreciation of his unfailing loyalty, tolerance, understanding and generosity and to Uncle Gus in friendship. Ernest Hemingway." The original folder will be filed with correspondence. Another folder bearing notes to himself and word count follows at the end of this item. It is not counted in the pagination nor is it included on the microfilm. [Oversize, Cage, Box 2, #35-41 (File Folders & Green Binder)] Young/Mann 8A
84.	Typescript. Double-spaced typescript for Chapter 32 only. W/some pencil corrections. A carbon of this typescript w/different corrections is found in the Manuscript/EH Typescript #83. pp. 674-679. 6pp.
85.	Carbon Typescript. W/very few pencil corrections. Pages 136, 153, and 211 are skipped in numbering, not missing. Only the inserts following pages 249 and 310 were originally located in the carbon. pp. 1-32, (1p.), 33-54, (1p.), 55-95, (1p.), 96-105, (1p.), 106-135, 137-152, 154-165, (3pp.), 166-167, (1p.), 168, (1p.), 169-176, (1p.), 177-187, (1p.), 188-210, 212-243, (1p.), 244-245, (1p.), 246-249, (1p.), 250-265, (2pp.), 266-270, (1p.), 271-310, (2pp.), 311-312, (11pp.), 313-321, (1p.), 322-331, (1p.), 332-380, 380-916. 945pp.
85a.	Second Carbon. Uncorrected partial copy of same typescript. pp. 380-916. 537pp. Not filmed.
85b.	Third Carbon. Uncorrected partial copy of same typescript. pp. 674-916. 243pp. Not filmed.
85c.	Fourth Carbon. Uncorrected copy of same typescript for Chapter 32 only. This typescript was found w/the original for pp. 674-679 (#84) and w/the Third Carbon. pp. 674-679. 6pp. Not filmed.
85d.	Second and Third Carbon Inserts. The first carbons of these inserts have already been placed in the complete carbon typescript. 60pp. Not filmed.
86.	Galleys. Incomplete. Dated July 31, 194 through August 6, 1940. W/pencil corrections and annotations, and printer's notes. Plus two pages typewritten additions for galleys 21 and 29. Galleys 1-20 (1p.), 21-28, (1p.), 29-44, (1p.), 45-122. 125pp. Young/Mann 8B and 8C [Oversize]
87.	Carbon Typescript Fragments. Corresponds somewhat to pages 380-383 of Carbon Typescript #85. pp. 381-384. 4pp.
	See also # 522a and 824

[ top ]

Garden of Eden
	See 422 - 422.9c

Green Hills of Africa
88.	Setting Copy. Partial typescript w/corrections in pencil. Galley markings. Title penciled-in over crossed-out title, ''Africa is Cold.'' W/envelope addressed to EH, Pilar, Bimini, from Thomas Shevlin, postmarked 16 July 1935 from Tepee Lodge, Big Horn, Wyoming. pp. 1-6, (1p.) 6-48, 48-98, 224A-259A, 259B-302, (303-306), 307-323 and envelope. 198pp. [Oversize, Cage, Box 2, #34 (Envelope Only)] Young/Mann 10B and I0C
89.	Carbon Typescript. Partial carbon typescript, in part of the original found in #88. W/corrections in ink and pencil by EH and another. One pencil annotation signed "D.P." pp. (3pp.), 1-48, 132-302, (303-306), 307-323. 240pp. Young/Mann 10A
90.	Manuscript Fragment. Reading in entirety, "For God's sake Abdullah get on with it about these three." Pencil manuscript. p. 3. 1p. Young/Mann 10F
91.	Manuscript Fragment. Pencil draft beginning "So, now, I can remember all of it. . ." Another start: "'It is still permitted to love a new country. . ." pp. (2pp.), 2. 3pp. Young/Mann 10E see also # 697 and 698

[ top ]

The Hemingway Reader
91a.	Photocopy of Typescript by Charles Poore. Draft of foreword to The Hemingway Reader . Handwritten corrections by Wallace Meyers (editor, Scribner's). W/attached TLS 18 Feb 1954, to Charles [Poore], from Wallace [Meyers], 1p. pp. (4pp.), 2-16. 19pp. (University of Wyoming) [Opened July 1989]
91b.	Photocopy of Typescript Fragment by Charles Poore. Discarded from foreword to The Hemingway Reader , Headed, "XII." Beginning "'Do you know anything about art?'" Handwritten note by Charles Poore at the bottom of the page. 1p. (University of Wyoming) [Opened July 1989]
91c.	Table of Contents. Photocopy of uncorrected typescript by Charles Poore. 1p. (University of Wyoming) [Opened July 1989]
91d.	Table of Contents. Photocopy of typescript by Charles Poore. Handwritten corrections. 1p. (University of Wyoming) [Opened July 1989]
91e.	Notes. Photocopy of typed/handwritten notes by Charles Poore. List of Hemingway stories and books planned for inclusion in The Hemingway Reader . Dated 10 Dec 1952. 1p. (University of Wyoming) [Opened July 1989]
91f.	Notes. Photocopy of typed/handwritten notes by Charles Poore. Typed questions about In Our Time , The Torrents of Spring , some later EH stories, and Death in the Afternoon . Mentions Green Hills of Africa . EH answers handwritten by Charles Poore. 5pp. (University of Wyoming) [Opened July 1989]
91g.	Notes. Photocopy of typescript by Charles Poore. Titled "The Hemingway Reader, A Journey with Maps." List of geographical locations--America, France, Spain, Italy, Africa, the Gulf Stream--and the EH stories/books that take place there. Some handwritten corrections. 1p. (University of Wyoming) [Opened July 1989]
91h.	Notes. Photocopy of Charles Poore's handwritten notes about EH writings beginning with "Big Two-Hearted River." 4pp. (University of Wyoming) [Opened July 1989]
91i.	Notes. Photocopy of Charles Poore's handwritten notes about EH. Begins "There was the question of getting..." Mentions "Poem to Mary." 3pp. (University of Wyoming) [Opened July 1989]
91j.	Discards. Photocopy of typescript of EH poem about WWII. "Hemingway in Paris--Jan 1945," handwritten by Charles Poore on a separate page but photocopied on one page with first page of the poem. Beginning "We landed in Morocco Christmas Eve." Handwritten corrections and comments by Charles Poore. 3pp. (University of Wyoming) [Opened July 1989]
91k .	Discards. Photocopy of EH poems handwritten by Charles Poore. "Mitrailliatrice [sic]," "Oily Weather," "Roosevelt," "Riparto D'Assalto," "Champs D'Honneur," and "Chapter Heading." First page titled "Wanderings." 2pp. (University of Wyoming) [Opened July 1989]

[ top ]

in our time
92 .	EH Typescript Fragment. Pencil corrected typescript headed ''Unwritten Stories.'' Top half bears a draft beginning ''The Bull got the first matador. . . " Bottom half: "I remember riding along in the dark and the whole battery was drunk. . . " 1p. Young,/Mann 11E
93.	Printer's Sheet. One printer's sheet folded in eight, w/one octavo page torn off. Included are the half-title page, frontispiece, title page, dedication page, pp. 25, 26, colophon, note page, etc.
94.	Corrected Proofs. Pencil corrections. pp. 9-30. 6 sheets
94a .	EH Typescripts. Various typescripts w/corrections of the different segments of the book, many titled: ''Religion,'' "Youth," "Love," "Crime," Toros y Toreros,'' ''Riau, Riau,'' and ''Humour.'' Several typescripts on verso of Windemere stationery. Unnumbered. 39pp. Young/Mann 11A see also # 564-564a , 633 , 645a , 671 , 693 , 821
94b.	Titles. EH typed list, headed ''TITLES,'' of possible titles for the book, In Our Time, among them. 1p.
95 .	EH Typescript. Partial typescript, not of published version, including epigraph, index, the short chapters, ''A Very Short Story,'' ''The Revolutionist '' and ''L'Envoi.'' No corrections pp. (10pp.) 2-3, (9pp.), 2, (1p.), 2, (3pp.) 27pp.
	See also # 477a For In Our Time Inter-chapters, see also: Chapter I: # 92 , 94 , 94a Chapter II: # 94 , 94a , 693 Chapter III: # 94 , 94a , 821 Chapter IV: # 94 , 94a , 564a , 821 Chapter V: # 94 , 94a Chapter VI: # 94 , 94a , 96-97a Chapter VII: # 94 , 94a , 671 Chapter VIII: # 94 , 94a Chapter IX: # 92 , 94 , 94a Chapter X: # 94 , 94a Chapter XI: # 94 , 94a Chapter XII: # 94 , 94a Chapter XIII: # 93 , 94 , 94a Chapter XIV: # 94 , 94a , 564 Chapter XV: # 94 , 94a L’Envoi: # 94 , 94a

[ top ]

In Our Time -
96.	Typescript. Partial typescript made up from various sources, including originals, carbons, EH typescripts, and tear sheets. Not the version as published. W/ink and pencil corrections and instructions to the typist. The text for "Indian Camp'' is from The Transatlantic Review and for ''My Old Man'' and ''Out of Season'' from Three Stories and Ten Poems . pp. 3-7, (1p.), 8, (1p.), 9, (1p.), 10-11, 16-23, (1p.), 24-36, (1p.), 37-57, 69-88 (1p.), 89, (1p.), 90 (1p.), 91, (1p.), 93, (1p.), 94-106, (1p.), 107, (1p.), 108, (1p.), 109. (1p.), 110, (1p.), 111, (1p.), 112, (1p.), 113, (1p.), 114, (1p.), 115, (1p.), 116, (1p.), 117, (1p.), 118-157, (1p.). 165pp. Young/Mann 12
97.	Carbon Typescript. Partial typescript not of the final version. numbered in pencil in upper left corners. pp. 2-4, 12-40, 57-63, 76-79, 82, 89-106, (2pp.), 117-118, 141, (4pp.). 72pp.
97a.	Notes. Ink lists of the table of contents, word counts, and title page. 6pp.
	See also Other material periodicals-- Little Review , Spring 1923, # 91f .
	See also Short Stories and Fragments:
		The Battler, #269-270 Big Two-Hearted River, #274-281 Cat in the Rain, #319-323 Cross-Country Snow, #344-346 , 696 The Doctor and the Doctor's Wife, #367-368 The End of Something, #373-375 Indian Camp, #493-495 Mr. and Mrs. Elliot, #585-587 My Old Man, #591-592 On the Quai at Smyrna, #641 Out of Season, #644 The Revolutionist, 92 , 94a , 95 Soldier's Home, #708-710 The Three-Day Blow, #762 A Very Short Story, #633

[ top ]

Islands in the Stream
98.	Manuscript. Early pencil manuscript in two books. Book One (pages 1-679), Bimini, later heavily rewritten. Book Two (pages 680-907), Miami, not used in book. Some EH typescript at beginning, corrections in pencil, ink, and blue and red pencil. Some word count on pages. Pages 269 and 674 skipped in numbering. pp. (1p.) 1 (1p.), 2 (5pp.) 3-26 (1p.), 27-28, (1p.), 29-39 (4pp.), 40-41, 41-65, (23pp.), 66-71, (2pp.),72-94, (6pp.), 95-102, (1p.), 103-105, (2pp.) 106-127, (1p.), 128-173, 173, 173-185, (1p.), 186-231, (1p.), 232 (1p ), 232, (1p.), 233-268, 270-291, 289, (3pp.), 290-299, (1p).), 300-325, (1p.), 326-345, (1p.,) 346-355, (1p.), 356-388, 388-473, 473-541, (1p.), 542-594, (5pp.), 595-596, (1p.), 597, (2pp.), 598-673, 675-717, (2pp.), 718-735, ( 1p.),736, (2pp.), 737, (1p.), '738-752, (3pp.), 753, 753-760, (5pp.), 761-778, 778-856 (1p.), 857-860, (2pp.), 861-907. 999pp. Young/Mann 17A and 17B
98a.	Photocopy of a manuscript fragment. Beginning "I told him that was the way life is. .'' See #98, pages 451 and 463 and #103, pages 278 and 288. 1p.
98.5	Photocopy of a Manuscript. Copies of pages from #98. pp. 380-381. 2pp. MH APT-H, "UV" [Opened April 1990]
99.	Manuscript. Pencil draft of a segment of the Item #98, w/annotation "Already re-written once." pp. 516-527, (1p.), 528-548, 548-556, 550-551. 45pp.
100.	Manuscript Fragments. Discarded p. 680 and pp. 841-852 which fit into Item #98. Also pp. 16 and 524-526 which do not fit into either #98 or #99. Three pages of pencil manuscript. One page word count. 12pp.
101.	Malcolm Cowley notes removed from a photocopy of Manuscript (pp. 380-680, 841-842). Notes refer to the editing of the manuscript and appeared before pp. 380, 464, and two before p. 585. Ink. 400pp.
102.	Carbon Typescript of manuscript, Miami section. No corrections or annotations. pp. 1-24, (25-26), 27-36, 1-22, 1-30, 1-43. 130pp. Young/Mann 17C
102a.	Typescript of manuscript, Miami section. Same as #102 and #102.b with corrections in pencil not included on 102 or 102.b. Published in The Complete Short Stories of Ernest Hemingway (Scribners 1987), as "The Strange Country," the manuscript is divided into four chapters: "Book Two, Chapter One," pp. [1], 2-24, 25/26, 27-36; "Chapter Two," pp. [1], 2-22; "Chapter Three," pp. [1], 2-28, 29a, 30a; "Chapter Four," pp. [1], 2-43. 130 pp. [Opened August 2002]
102b .	Photocopy of Typescript, Miami section. Same as #102 with corrections in pencil and red pencil, not EH's hand. "Book Two, Chapter One" crossed out at top of first page and "A Motor Trip" penciled in over erased title, "Missing." Published in The Complete Short Stories of Ernest Hemingway, Scribners, 1987, as "The Strange Country." Divided into four chapters. pp. [1p.], 2-24, 25/26, 27-36, [1p.], 2-22, [1p.], 2-28, 29a, 30a, [1p.], 2-43. 130pp. MH APT-F, "A Motor Trip, The Cross Roads..." [Opened April 1990]
103.	Bimini Rewrite Manuscript. Pencil manuscript and EH Typescript, heavily corrected. Notes by EH on name changes and point of view. Page word count. Dated May 1, 1951 -- August 6, 1951. Headed "part One / The Island and the Stream / Chapter One." Page one is a Xerox copy. pp. (1p.), 2-3, 2-15, (2pp.), 16, (1p.), 17-25, 25-28, 28-32, 34-92, 92-93, 95-185, 185-328, 330-371, 373-441, (7pp.), 442-457, 457-473. Plus a cardboard bearing word count and an envelope bearing notes. 483pp. Young/Mann 17D [Oversize, Cage Box 1, #8 (Envelope only)]
104.	Bimini Rewrite Manuscript. Discard for p.16 of the pencil manuscript. 1p.
105.	Bimini Rewrite Manuscript. Discards fitting into the manuscript at p. 178. EH Typescript w/pencil corrections and annotations. pp. 211-218, (1p.), 219-222, 227-229, (1p.), 300-338. 26pp. Young/Mann 17Kv
106.	Bimini Rewrite manuscript. Discards fitting into manuscript at p. 446. Pencil manuscript. pp. 446-448. 3pp. Young/Mann 17Kviii
107.	Bimini Rewrite Manuscript. Discards fitting into manuscript at p. 466. Pencil manuscript. pp. 466-469, (1p.). 5pp. Young/Mann 17Kix
108.	Carbon Typescript of Bimini rewrite manuscript. W/very few typographical corrections. pp. (1p.), 1-5, 1-11, 1-21, 1-38, (39-40), 41-80, 1-51, 1-9, 1-31, 1-18, 1-36, (37-38), 39-85, 1-29, 1-17, 1-35, 1-48, 1-5, 1-4, 1-18. 466pp. Young/Mann 17E
109.	Partial Bimini Rewrite. Pencil manuscript and corrected Eli typescript, including a 4 page pencil draft of typed page one, and other aborted continuations. Pages 63-67 are renumbered from pages 1-5. A continuation of these 5 pages (pp. 6-9) is found at the end. Precedes Rewrite Manuscript. The Xerox copy of page one in the Bimini Rewrite Manuscript (#103) is made from page one of this rewrite. pp. 1-4, 1-3, 3, 3-8, (1p.), 9-32, 32-76, 6-9. 88pp. Young/Mann 17F, 17Kii, and 17Kiii
110.	Cuba EH Typescript/Manuscript. W/many pencil corrections and additions. Headed "The Sea (Main Book Two)." Plus 2 pages of pencil manuscript insert, one page of typed "Notes on finishing the short novel,'' a discarded page 23, and a manila envelope bearing notes by Malcolm Cowley. Many pages w/word count. Manuscript begins at page 100. pp. 1-4, 4-21, (5pp.), 22-52, (1p.), 53-73 (1p.), 74-100, 100-145, (4pp.), 158pp. Verso: pp. 12, 30, 53, 99. Young/Mann 17G, 17H, and 303 [Oversize, Cage, Box 1, #9 (Envelope Only)]
110a.	Cuba Manuscript Fragment? Pencil manuscript beginning '''Just as you wish,' Ignacio Notero Rovello said . . ." p. 1106. 1p.
110b.	Cuba EH Typescript Fragment. Uncorrected, beginning ''Of course we can have him if you like . . . '' About Boise, the cat. p. 7. 1p.
110.5	Photocopy of EH Typescript/Manuscript. Copies of 3 pages from #110. MH notes on verso of p.139: "What else, How much left-, which pub. next?" pp. [1p.], 132, 139. 3pp. MH APT-F, unmarked folder [Opened April 1990]
111.	At Sea EH Typescript. W/many pencil and some ink corrections. Headed ''The Sea (Main Book Three)." Page word count. pp. 1-64, 60-83, 83-109, 109-127, 127, (1p.), 128-153, (1p.), 154-218. 228pp. Young/Mann 17F
111a.	Photocopy of At Sea EH Typescript (#111). Edited for typing by MH in green and blue inks. pp. 1-64, 60-83, 83-109, 109-127, 127-218. 226pp.
112.	At Sea EH Typescript. Discarded draft, beginning "and he did not care if it was. . ." W/pencil corrections and word count. pp. (1p.), 84-100. 18pp. Young/Mann 17Kvi
113.	At Sea EH Typescript. Discarded draft, beginning ''He thought of the girl that. . . " On verso of last page, ''Discarded Mss (Removed from the Sea Chase)." W/pencil corrections and word count for the week of April 1-5. pp. 84-114, (1p.). 32pp. Young/Mann 17Kvii
114.	At Sea, Early Draft of Chapter One. EH Typescript and pencil manuscript. Pencil corrections. Word count. pp. 1-4, 4, (1p.), 4-14. 17pp. Young/Mann 17Kiv
115.	Carbon Typescript of At Sea EH Typescript. pp. 1-265. 265pp. Young/Mann 17Ki.
116.	Word Count, Instructions, and Envelope. One page word count dated July 29, 1951 - July 30, 1951. One page instructions for typing Book One. One manila envelope with notes. Young/Mann 17Kxi. [Oversize, Cage, Box 1, #10 (Envelope Only)]
116a.	Word count. Original in pencil and copy of one page of word count, dated July 28 through August 6, 1951. Original was catalogued as part of item 21. 2p.
	See also # 292 and 516

[ top ]

Men at War
117.	Manuscript Notes. Pencil notes headed "Notes for Introduction." pp. 1-12. Also miscellaneous pages of notes, some numbered, some not, some written on both sides. 22pp.
118.	Typescript for the Introduction. Fragments from two carbons. Very few typographical corrections in carbon. Incomplete. pp. 1-30. 30pp.
119.	EH Typescript Fragments from the Introduction. W/pencil corrections. Three pages and one insert page. 4pp.
119a.	Typescript Fragment. Untitled typescript headed ''page xxiv Crown edition,'' beginning ''You never know how people will react to. . ." W/EH ink correction and note on first page. pp. 1-4. 4pp.

[ top ]

Men Without Women
120 .	''Foundry Set'' of proofs, dated September 26, 1927. Large folio size. pp. 1-232. 29pp. [Oversize]
120a .	Galleys. Galleys of all Men Without Women stories. Order of the stories differs from the published version. Ends "ANOTHER STORY TO COME." Galley 35 is dated 7/20/27. No corrections. Galleys 1-54. 54 pp. See also # 727 , 767b [Oversize]
120a.5	Galleys Incomplete galleys of all the Men Without Women stories except "Che Ti Dice La Patria?" and "Banal Story." Order of the stories differs from published version. Galley 35 is dated 7/20/27. No corrections. Galleys 1-43. 49 pp. See also # 727 , 767b [Oversize]
120b.	Notes. EH typed and autograph pencil notes headed ''Stories for Next Books'' and containing a list of the stories w/arrangement suggestions and comments on the stories. On the verso of a fragment (p. 2) of a typed Letter to Maxwell E. Perkins, January 1927. 1p.
120c.	EH Notes. EH pencil list of titles and word counts of most of the short stories in Men Without Women . Written on a Shakespeare & Co. envelope addressed to EH. On reverse EH pencil notes beginning "Vital Stop letter in French to Mother... '' ending ''Evan.'' 2pp. see also Hamilton, James Shelley and # 767a

[ top ]

A Moveable Feast
Item numbers 121-185 are the drafts of A Moveable Feast arranged by chapter. Originally all the chapter drafts were found in four groups, more or less reflecting an order of progressive development, but not always. Not all chapters were found in all of the four groups and their arrangement within the group was random. The groups have been broken up, but the individual drafts have been numbered One to Four so that the original organization of the manuscripts will not be lost. Dates are given wherever possible. The introduction and Chapter 20 and Endings are grouped together at the beginning of the book's chapter drafts because of the difficulty of separating and identifying the drafts. Some unpublished chapters are also included at the end. These are here identified as ''On writing in the first person,'' ''Ford,'' ''Fitzgerald/Football Game,'' and ''Larry Gains.'' The other chapters are identified as follows:
			A Good Cafe on the Place St. Michel	1. Good Cafe
			Miss Stein instructs	2. Stein Instructs
			Une Generation Perdue	3. Lost Generation
			Shakespeare and Company	4. Shakespeare
			People of the Seine	5. Seine
			A False Spring	6. Spring
			The End of an Avocation	7. Racing
			Hunger was Good Discipline	8. Hunger
			Ford and the Devil's Disciple	9. Ford
			Birth of a New School	10. New School
			With Pascin at the Dome	11. Pascin
			Ezra Pound and His Bel Esprit	12. Pound
			A Strange Enough Ending	13. Stein Ends
			Man Who Was Marked for Death	14. Walsh
			Evan Shipman at the Lines	15. Shipman
			An Agent of Evil	16. Pound/Dunning
			Scott Fitzgerald	17. Fitzgerald/Car Trip
			Hawks Do Not Share	18. Fitzgerald/Hawks
			A Matter of Measurements	19. Fitzgerald/Michaud
			There is Never Any End to Paris	20. Schruns
Miscellaneous notes and fragments, and fragments and the Introduction, not originally located with the four groups follow. A typescript and a carbon typescript of the chapters of the book with various annotations and corrections, conclude the drafts in the papers for A Moveable Feast .
121.	20. Schruns -- One. Pencil manuscript beginning ''When there were the three of us..." Red pencil note on p. 12. pp. 1-16, (1p.), 17-19, (1p.). 21pp.
122.	Introduction -- Two. Pencil manuscript, many starts, identified by ER as ''Starts and Incompletes." One page note on whether or not use material while Hadley and Pauline alive. Some ink and red pencil corrections. 9pp.
123 .	20 . Schruns and Endings -- Two. Various drafts and rewrites including one 13 page manuscript. Beginning "The first year in the Voralberg. . ." Dated Dec 16-Dec 17. Other drafts dated March 26 - April 1. Many pages with word count. All pencil manuscript except one page of one typed line. Some pages belong with # 127 . 40pp.
124.	Endings -- Two. Many pencil and one ink draft of endings. Dated Feb 7 - March 20. Some ink and red pencil corrections. 18pp.
124a .	Endings. Pencil draft beginning "This will give you some account. . ." W/ink corrections on first and seventh page. Dated April 1 through 3. W/MH notes: ''Possible Finishing Chapter." Mentions Even Shipman, Miro, Desnos, Masson. pp. 1-8. 8pp. See also # 735.5 and 735a
125.	Introduction -- Three. Typescript of Preface and MH's Note. Some ink corrections. 2pp.
126.	20. Schruns -- Three. Two typescripts: First: Beginning ''The first year in the Voralberg. . ." W/pencil and ink corrections. Dated Jan 26 and w/an ink note by EH at head: "Don't use until I'm dead. Maybe not then. Not in Hadley's lifetime.'' pp. 1-9, 8-9. Carbon of # 127 . Second: Beginning ''When there were three of us.'' Headed chapter ''XVI.'' pp. 1-15. 26pp. in all.
127 .	20. Schruns -- Four. Typescript beginning "When there were three of us. . ." and headed ''Chapter 15/16.'' W/ink and pencil corrections and additions. pp. 1-15, 15. 16pp. Missing draft for p.15 is in # 123 .
128.	1. Good cafe -- One. Pencil manuscript. pp. 1-7, (1p.), 8-10. 11pp.
129.	1. Good Cafe -- Three. Typescript w/minor pencil and ink corrections, mostly typographical. pp. 1-7. 7pp.
130.	1. Good Cafe -- Four. Typescript w/pencil corrections and annotations: "Provisional EH and ''OK? EH" and ''A''. pp. 1-7. 7pp
131.	2. Stein Instructs -- One. Pencil manuscript. pp. 1-18. 18pp.
132.	2. Stein Instructs -- Three. Typescript w/typographical corrections only. Headed in pencil "II" . pp. 1-14. 14pp.
133.	2. Stein Instructs -- Four. Typescript w/ pencil and red pencil corrections and additions. Headed in pencil ''B Chapter Two." pp. 1-6, (1p.), 7-14. 15pp.
134.	3. Lost Generation -- One. Pencil manuscript w/red pencil corrections on page 8. pp. 1-2, (1p.), 3-11. 12pp.
135.	Lost Generation -- Three. Two typescripts First: Typographical corrections only. Headed in pencil ''VII.'' pp. 1-9. Second: Carbon of above w/pencil corrections. Headed in pencil "D Chapter Seven'' and w/ pencil ''E" in upper left corner. pp. 1-9. 18pp. in all.
136.	4. Shakespeare --One. Pencil manuscript. pp. 1-6. 6pp.
137.	4. Shakespeare -- Three. Typescript w/ one red pencil annotation on p. 3. Headed in pencil ''III" pp. 1-5. 5pp.
138.	4. Shakespeare--Four. Carbon typescript w/few pencil corrections. Headed in pencil "C Chapter Three.'' pp. 1-5. 5pp.
139.	5 Seine -- One. Pencil manuscript. pp. 1-7. 7pp.
140.	5. Seine -- Three. Typescript w/ typographical corrections only. Headed in pencil chapter ''IV''. pp. 1-6. 6pp.
141.	5. Seine -- Four. Typescript w/few pencil corrections. Headed in pencil ''Chapter Four" and "F". pp. 1-6. 6pp.
142.	6. Spring -- Two. Pencil manuscript w/ink and red pencil corrections. Also fragments. pp. 1-15, 6, (3pp.), 2, 3, 6 (2pp). 24pp.
143.	6. Spring -- Three. Typescript w/some typographical corrections. Headed in pencil chapter "V". pp. 1-9. 9pp.
144.	6. Spring -- Four. Three typescripts:
		First:	W/pencil and red pencil notes and corrections. Red pencil notes to typist, Betty. Dated Jan 26 - Jan 30. Headed in pencil ''Chapter Five.'' pp. 1-10.
		Second:	W/pencil and some red pencil corrections. Headed in type ''Chapter 5." PP. 1-6, 6-7, 7-10.
		Third:	Carbon of second typescript w/out corrections. pp. 1-10. 32pp. in all.
	see also # 144a and # 144.1
144.1	6. Spring. Manuscript Fragment. Original pencil manuscript of # 144a . p. 6., 1p. "Get Copied [crossed out] EH Handwritten giving Nobel Prize medal to Virgen del Cobre. . ." MH APT-F [Opened April 1990]
144a.	6. Spring. Photocopy of a manuscript fragment, beginning ''Do you remember the inn at Aigle..." p. 6. 1p. see also #144
145.	7. Racing --Two. Pencil manuscript drafts and fragments. W/ink annotations on p. 6. Pp.1-5. 5-7, 4, (1p.), 2. 11pp.
146.	7. Racing -- Three. Unmarked typescript headed, in type, "Chapter 6.'' pp. 1-6. 6pp.
147.	7. Racing -- Four. Three typescripts, 19pp. in all:
		First:	W/typographical corrections only. Headed in pencil "V1." pp. 1-4.
		Second:	Pencil manuscript and typescript, heavily corrected and annotated. W/instructions to Betty, the typist, in red. Headed ''Chapter Six'' and dated Jan 27 -Jan 30. pp. (1p.), 1-5, 1-7.
		Third:	Typescript w/pencil corrections, headed ''Chapter 6." pp. 1-6.
147a.	Typescript Fragment. Page four of the typescript w/pencil annotations, red pencil line-outs, and instructions to Betty. p. 4. 1p.
148.	8. Hunger -- Two. Pencil manuscript w/ very few ink corrections on pp. 2, 6, 7, and 8. pp. 1-7, 7-13. 14pp.
149.	8. Hunger --Three. Typescript w/very few typographical corrections only. Headed in pencil "VIII." pp. 1-8. 8pp.
150.	8. Hunger -- Four. Typescript w/pencil and some ink corrections. Instructions to Betty the typist, in red pencil. Dated Jan. 24 - Jan 30. Note by EH on whether or not to include the chapter. Headed ''Chapter Eight.'' pp. 1-5, (2pp.), 6-8. 10pp.
150a.	8. Hunger. Carbon of Typescript. List titled, "E.H.'s walks in Paris, as written in A Time of Hunger." Numbered list of places mentioned in Chapter 8. pp. [1p.], 2. 2pp. MH APT-A, "Papa's Paris Book" [Open April 1990]
151.	9. Ford -- One. Pencil manuscript, titled in pencil. pp. 1-12. 12pp.
152.	9. Ford -- Three. Typescript w/ink corrections of the spelling of ''Cendrars.'' Titled in type and headed in pencil chapter ''IX." pp. 1-11. 11pp.
153.	9. Ford -- Four. Negative photocopy of typescript w/annotations in ink. pp. 1-11. 11pp. see also # 194
154.	10. New School -- Two. Pencil manuscript w/red pencil corrections on pages 4 and 8. pp. 1-9, 7-10. 13pp.
155.	10. New School -- Three. Typescript w/one pencil correction. Headed in blue pencil "IX." pp. 1-6, 5a-7a. 9pp.
156.	10. New School -- Four. Portions of pages 5 and 6 of typescript. No corrections. 2pp.
157.	11. Pascin -- One. EH typescript and pencil manuscript w/pencil corrections. pp. 1-8. 8pp.
158.	11. Pascin -- Three. Two typescripts, 18pp. in all:
		First:	Few typographical corrections. Headed in pencil ''X.'' pp. 1-9.
		Second:	Carbon typescript w/pencil annotations. Headed ''G" ''H" and "J'' and ''Chapter Ten" in pencil. pp. 1-9.
159.	12. Pound -- One. Pencil manuscript. pp. 1-6. 6pp.
160.	12. Pound -- Two. Pencil manuscript beginning "Ezra Pound was the most generous writer. . ." pp.1-7. 7pp.
161.	12. Pound -- Three. Typescript and partial carbon: Typescript, in three sections. W/some pencil corrections and ink typographical corrections. Headed in pencil chapter "XI.'' pp. 1-5, 1-3. Carbon: Carbon of first section of above typescript. Pencil and ink corrections. Headed in pencil ''Chapter Eleven'' and ''X." pp. 1-5, 5. 14pp. in all.
162.	13. Stein Ends -- One. Pencil manuscript. pp. 1-3, 3-5. 6pp.
163.	13. Stein Ends -- Two. Typescript w/ink and pencil corrections. Note to Betty, the typist, in red pencil. Headed ''Chapter Twelve.'' pp. 1-4, (2pp.). 6pp.
164.	13. Stein Ends-- Three. Uncorrected typescript headed in pencil "XIII." pp. 1-4. see also # 675 .
165.	14. Walsh -- One. Pencil manuscript. pp. 1-12. 12pp.
166.	14. Walsh -- Three. Two typescripts, 19pp. in all:
		First:	unmarked except for one or two ink and pencil typographical corrections. pp. 1-9.
		Second:	Carbon typescript w/ink and pencil corrections. Red pencil instructions to Betty, the typist. Headed "XIII" and "K" in pencil Dated Jan 25 - March 18. pp. 1-4, 4-9.
167.	15. Shipman -- One. Pencil manuscript. pp. 1-14. 14 pp.
168.	15. Shipman -- Three. Two typescripts, 22 pp. in all:
		First:	Carbon typescript w/one typographical correction. Headed ''XIV.'' pp. 1-11.
		Second:	Typescript w/ink and pencil corrections. Ink note on whether or not to use chapter. Headed "K Chapter 14." Dated Jan. 25. pp. 1-11.
169 .	16. Pound/Dunning -- Two. Pencil manuscript headed "Chapter 14.'' Ink corrections on pages 1 and 7. Red pencil instructions to Betty, the typist. pp. 1-8, (1p.). 9pp.
170.	17. Fitzgerald/Car Trip -- One. EH typescript w/some ink and pencil corrections. Older ink and pencil manuscript for first page. pp. (1p.), 1-24. 25 pp. Verso: unnumbered page.
170a.	17. Fitzgerald/Car Trip. One page EH Typescript fragment beginning "I studied it..." p. 19. 1p.
170b.	17. Fitzgerald/Car Trip. One page EH typescript beginning ''The first time I ever met Scott Fitzgerald was. . ." Seven lines total. On verso of Autograph Draft Cable date (late May 1958). 1p.
171.	17. Fitzgerald/Car Trip -- Three. Typescript w/very few typographical corrections. Headed in pencil ''XVII.'' pp. (1p.), 1-38. 39pp.
172.	17. Fitzgerald/Car Trip -- Four. Carbon, heavily corrected in several shades of ink and pencil. Red pencil notes to Betty, the typist. Dated on page 20, Feb 5, 59. Headed in pencil ''Chapter 17." pp. (1p.), 1-38, (1p.). 40 pp.
173.	18. Fitzgerald/Hawks -- One. Pencil manuscript. pp. 1-14, (1p.). 15pp.
174.	18. Fitzgerald/Hawks -- Three. Typescript headed in pencil "XVIII." pp. 1-10. 10pp.
175.	18. Fitzgerald/Hawks -- Four. Typescript w/pencil and ink corrections and one page ink insert. Headed in pencil ''Chapter 18.'' pp. 1-8, (1p.), 9-10. 11pp.
176.	19. Fitzgerald/Michaud's -- Two. Pencil manuscript fragment beginning ''Before Scott knew that Zelda was crazy..." 1p.
177.	19. Fitzgerald/Michaud's -- Four. Corrected EH typescript end pencil manuscript. Two ink corrections. Headed in pencil ''Chapter 19." pp. 1-5, (1p.), 6-7. 8pp.
178 .	On writing in first person -- Two. Pencil manuscript of an unpublished section. pp. 1-3. 3pp.
179 .	On writing in first person -- Three. Uncorrected typescript of an unpublished section. pp. 1-3. 3pp.
179a .	On writing in first person. Original of 179, w/differing punctuation. pp. 1-3. 3pp.
180.	Ford -- Three. Pencil manuscript of an unpublished section. pp. 1-6, (2pp.). 8pp.
181.	Ford -- Four. Two typescripts of an unpublished section, 6 pp in all:
		First:	Typescript w/pencil corrections. pp- 1-3.
		Second:	Carbon of above typescript w/ink corrections. pp. 1-3.
182.	Fitzgerald/Football Game -- Two. Pencil manuscript of an unpublished section. pp. 1-4, 4-7. 8pp.
183.	Fitzgerald/Football Game -- Four. Two typescripts of an unpublished section:
		First:	Typescript w/few typographical corrections. pp. 1-4.
		Second:	Carbon of above typescript w/few typographical corrections. pp. 1-4.
184.	Larry Gains -- One. Pencil manuscript of an unpublished section. pp. 1-2, 2. 3pp. Young/Mann 15J
185.	Larry Gains -- Three. EH typescript w/pencil corrections of an unpublished section. pp. 1-6. 6pp. Young/Mann 15J
185a.	"My first son, Bumby, and I..." Pencil manuscript headed "After Chapter 17." Mentions Bumby, Tonton, Hadley, and Fitzgerald. pp.1-8. 8pp.
186.	Miscellaneous notes and fragments -- Two. Mostly pencil. Some ink and red pencil notes. 13pp. Young/Mann 15I and 15K
187.	Introduction Fragments. Pencil and ink drafts of the preface. 2pp. Young/Mann 15H
188.	Typescript. W/occasional handwritten corrections and additions. Nineteen chapters not in same order as published. Two typescripts for chapters 5 and 6, the second of which are headed in Mary Hemingway's hand: ''Rewritten and Revised Chaps. 5 and 6.'' Chapter 5 is False Spring; 6 is Racing. Note by EH at head of chapter 13 (Walsh): ''This is too dangerous and libelous to publish as explained in letter to Charlie Scribner. Absolutely. EH." pp. 1-6, 1-11, 1-5, 1-5, 1-10, 1-6, 1-10, 1-6, 1-7, 1-9, 1-9, 1-7, 1-4, 1-3, 1-7, 1-9, 1-4, 1-11, (1p.), 1-30, 1-8, 1-6, 176pp. Young/Mann 15B
189.	Carbon of Typescript. Nineteen chapters not numbered as published. Chapter 5 and 6 in originals only. With manila envelope bearing notes. Very few pencil corrections. pp. 1-6, 1-11, 1-5, 1-5, 1-10, 1-6, 1-7, 1-9, 1-9, 1-7, 1-4, 1-3, 1-7, 1-9, 1-4, 111, (1p.), 1-30, 1-8, 1-6. 158pp. [Oversize, Cage, Box 2, #33 (Envelope Only)] see also # 484 , 632 , 845
189a .	Manuscript Fragment. Pencil list of stories ''To Do For Paris Book.'' Mentions stories on Ezra and Cheever Dunning, Evan and Harold Stearns, and Bicycle Racing. 1p. see also # 251.5 , 256 , 484 and 486
189b.	EH Notes. Pencil and pen list of notes for changes. Headed ''F-Page 5-Paris book.'' p. [1] 1p.
189c.	Manuscript Notes. Pencil notes on 3 x 5 yellow notepaper headed "Paris Stories". Brief listing of ideas for chapters to write and for those partially written. pp. 1-4. 4pp. MH APT-F, "Miscellaneous" [Opened April 1990]
189d.	Correction Sheet. Carbon of typed printers corrections sheet listing six spelling changes. Dated 20 April 1964. Signed by L.H. Brague, Jr. 1p. MH APT-A, "Papa's Paris Book" [Opened April 1990]

[ top ]

The Old Man and the Sea
190.	EH Typescript. W/pencil corrections and some blue pencil corrections and markings. Word count and dates of writing given. Dated Jan 12-Feb 15, 1951. Marked in ink by Mary Hemingway: ''E's Copy.'' Page 42 skipped in numbering, not missing, p. 1-41, 43-69, 65-112. 116 pp. Young/Mann 16A
191.	Typescript. W/ink corrections. marked in Mary Hemingway's hand on first page; "M's Copy. First Typescript. M." pp. 1-40, (41-42), 43-101. 100pp. Young/Mann 16B
192.	Carbon of Typescript. Carbon typescript w/typographical corrections only. Word count on each page in pencil in lower right corner. W/manila envelope bearing word count and other notes. pp. 1-40, (41-42), 43-101. 100pp. [Oversize, Cage, Box 2, #32 (Envelope Only)]
192.5	Carbon Copy. Unmarked. 100pp., w/covers. [opened Sep 1998] [Oversize, Cage, Box 2, #31 (blue cover page)]
For movie script, see
	# 625 and 626

[ top ]

The Sun Also Rises
193.	Manuscript. Early ink draft beginning "I saw him for the first time. . ." Typed on first page: "Facing Page one of Chapter One: 'The graves a fine and secret place / But none I think do there embrace... Marvell." The second page lists the names of the characters in the book. Page 1 of the manuscript is headed ''Cayetano Ordonez Nino de Is Palma. Precedes notebooks. pp. (2pp.) , 1-25, 25-31. 34pp. Young/Mann 18D Facsimile in Bruccoli
194 .	Notebooks. Manuscript, in ink, written in 7 notebooks. Written on both sides of unnumbered pages. Each notebook bears EH's 113 Rue Notre Dame des Champs address, 288 pp in all. Facsimile in Bruccoli
		Book I.	"Fiesta A Novel Book I Valencia July 23-Aug 3." Begins "Nino de la Palma page 38--(continued from loose sheets) Chap II." 47pp.
		Book II.	"Fiesta A Novel Book II Valencia Aug 3 Madrid Aug 5-6 San Sebastian Aug 8-9 Hendaya Aug 10-11-12 Aout 1925." 40pp.
		Book III.	"Fiesta A Novel Book III Hendaya Aug 12-13-14-15-16-17, Paris Aug 19-20 Aout 1925." Word count, travel expenses and chapters on back cover. 50pp.
		Book IV.	"Fiesta A Novel 4th Book Paris Aug 20-21-22-23-24-25-26-27-28-29-Aout 1925." Notes, address of Wilhelm Groule and map of Great Lakes on back cover. 50pp.
		Book V.	"Fiesta A Novel Book No.V. finished Sept 9 Paris 'The grave's a fine and secret place But none I think do there embrace"' 4 blank sides. 48pp.
		Book VI.	"Fiesta A Novel Book VI.Sept 9 -Paris." The last page bears a letter to the editor in another hand (Hadley Hemingway?) on receiving a bull's ear. 48pp.
		Book VII.	"Fiesta A Novel Book VII" Dated within at end of manuscript "Paris Sept 21,1925." 3pp. 5 sides. Opening from other end of the notebook is a 2 page, 3 side ink draft beginning: "There is now a slackening in the emotional tightness..." 288pp.
	Young/Mann 18A
195.	EH Typescript Fragment. False start headed: "The Sun Also Rises, Chapter One," and beginning "I saw him for the first time..." One ink correction. pp.1-2. 2pp.
195a.	Manuscript Fragment. Headed "insert Book V" and beginning, "Back in the town I went to the cafe..." pp.1-4, 4pp. Young/Mann 238
196.	Manuscript Fragment. Ink manuscript headed "Chapter VIII." Beginning "I did not see Brett again..." 1p.
197.	EH Typescript Fragment. False start headed "The Sun Also Rises /A Novel" and beginning "It was half past three in the afternoon..." 1p.
197a.	EH Typescript Fragment. Longer false start headed "The Sun Also Rises /A Novel," beginning "It was half past three in the afternoon..." w/few ink corrections. pp.1-5. 5pp. Young/Mann 18F
198.	EH Typescript. Partial Typescript headed "Chapter eleven" and beginning "The Ledoux-Kid Francis fight..." w/pencil and ink corrections. pp.1-184. 184pp. Young/Mann 18K
199.	Typist's Carbon. Carbon of a typescript of the partial EH typescript, headed "Chapter eleven" and beginning "The Ledoux-Kid Francis fight..." w/one correction on page 73. W/two pages of typist's notes. Page 62 is skipped in numbering, not missing. pp.1-61, 63-222. 221pp. [Oversize, Cage, Box 2, #45] Young/Mann 18J
200.	Typescript. W/discarded start, beginning "This is a novel about a lady..." Pencil epigraph inserted on title page in EH's hand: "You are all a lost generation -- Gertrude Stein in conversation." Ink corrections. W/manila wrapper and blank pages at beginning and end. pp. (2pp.), 1-94, 94-100 (1p.) 101-118, (1p.), 122pp. Young/Mann 18H
201.	Carbon Typescript. Uncorrected carbon of the typescript with the original start. W/out pencil epigraph. Plus manila wrapper and blank beginning and end pages. pp. (2pp.), 1-94, 94-100 (1p.), 101-118, (1p.), 122pp. Young/Mann 18I
202.	Galleys (copy). Copy of the galleys of the discarded first two chapters of the book. W/Philip Young's annotations. Galleys 1-3. Copy of Young/Mann 18M
202a.	Galleys. Originals, w/out Philip Young's notes. Galleys 1-3. Young/Mann 18M [Oversize]
202a.5.	Uncorrected galleys for English edition. Titled Fiesta ,and published by Jonathan Cape. Galleys 1-66. 66pp.
202b.	Manuscript Fragments. Another notebook w/pencil manuscript fragments on first two pages, otherwise the notebook is blank. Eight separate sentences, the first being "You must make fantastic statements to cover things." 2pp. Young/Mann 18C Facsimile in Bruccoli
202c .	Titles. Another notebook dated "Ernest Hemingway/Chartres/September 27,1925." On inside back cover EH has penned four titles including SAR and "For in much wisdom is much grief and he that increases knowledge increaseth sorrow." Also includes the ink manuscript of the Foreword to "The Lost Generation /A Novel," beginning "One day last summer: Gertrude Stein..." 3pp. Also an ink manuscript of "Ten Indians" beginning "The Indians came into Petoskey on the fourth..." W/pencil corrections, untitled. 16pp. Young/Mann 249 Facsimile in Bruccoli see # 727
202d.	EH Typescript Fragment. False start beginning "This is a novel about a lady..." With corrections. 1p. Young/Mann 18L
202e.	EH Typescript [Copy?]. With page number annotations. Chapter II. Beginning "That winter Robert Cohn went over to America with his novel..." pp. 106, 108, 112, and unnumbered (6 pp.). Transferred from Mary Hemingway Collection (#105), Series 7, Box 33.
See also
	# 530

[ top ]

Three Stories and Ten Poems
203.	Setting Copy. Carbon of an EH Typescript and tear sheets from other publications pasted onto other sheets. Some pencil corrections and printer's instructions. Includes title page, dedication page, contents and body of book. W/typist's bill dated November 17, 1925. pp. (4pp.), 1-7, (1p.), 1-8, (1p.), 1-18, (1p.), 1-10. 50pp. Young/Mann 19
203a.	Notes. Pencil rendering of cover page, and typed list of contents. 2pp.
203b .	Notes. Pencil notes on Three Stories and Eleven Poems on the last page of a notebook, also several pages of notes on Spain and bullfighting, and notes on the dead. A fragment of a typescript of the "six cabinet ministers" chapter is stuck to the back cover.

[ top ]

To Have and Have Not
204.	Manuscript. Mostly pencil w/some pages of EH typescript w/pencil corrections. Written in Five Parts, greatly expanded from published version after Chapter 19 found in Part Four. 648pp. in all.
		Part One:	pp.1-113, 112-117.
		Part Two:	pp.1-49.
		Part Three:	pp.1-17, 1, (1p.), 2-6, 24-27, 27-65, (1p.), 66-91, (1p.), 92-105, (1p.), 106-127.
		Part Four:	Begins w/Chapter 19. Published Chapter 20 begins on p. 154; Chapter 22 on p.278; Chapter 24 on p. 340; and Chapter 25 on p. 374. The verso of page 334 bears trial titles. pp. 128, (1p.), 129-150, 156-162, 162, 162-163, 160, 164-172, 172-181, 181-193, (1p.), 194-202, (2pp.), 203-218, (1p.), 219-258,1, (1p.), 2-16, 16-19, 278-334, (1p.), 335-341, 341-355, (1p.) 356 (1p.), 357, (1p.), 358-364, 364-378, (2pp.), 379-387, 388-393.
		Part Five:	pp. 394-417, 416-430, 432-442, 442-451.
	Young/Mann 20A, 20C, 20D, 20E, 20Fiii, and 290
204a.	Manuscript. First draft of Part II, Chapter Six. Untitled, beginning: "All night it blew a big breeze..." Pencil, w/corrections.pp.1-20. 20pp.
205.	Manuscript. Different ending. Pencil. Page 473 is skipped in numbering, not missing. pp. 445-472, 474-494, (1p.), 495-499. 55pp. Young/Mann 20Fi
206.	Manuscript Fragment. Pencil manuscript beginning "It was blowing a big breeze..." pp.1-15, 15pp. Verso: p.4.
207.	Manuscript Discards. pp. 390-391 of same manuscript. Found elsewhere. 2pp.
208.	Manuscript. Chapter 23. Pencil manuscript headed "Next Chapter (after Vets before Yachts)." pp. 1-8. 8pp.
209.	Manuscript. Ending fragments. 8 page pencil manuscript and one page typescript. 9pp. Versos: "Chapter Twenty-One/chapter 21 page 2" and "She sat there/shining in the arc-light."
210.	Manuscript Fragments. Miscellaneous pencil manuscript and notes, one page w/ink. Two pages included bear telephone numbers only. Verso of one page reads: Nobody every dies/Nothing is Ever Lost." 10pp. See also # 610-612
211.	Cosmopolitan Draft. Draft for Parts One and Two made up of the tear sheets of "One Trip Across" from April 1934 Cosmopolitan, pencil manuscript and pencil corrected EH typescript. Also one page ink notes on "One Trip Across." pp. (11p.), 122-123, 1-15, (1p.). 29pp. Young/Mann 20A
212.	Typescript. Carbon of the typescript used as the setting copy in its original form of Five Parts, before the cuts. W/pencil corrections in another hand. Page 66 is skipped in numbering, not missing. pp. 1-49, 49-55, (1p.), 56-65, 67-186. 260 pp.
213.	Setting Copy. Typescript w/pencil corrections and galley markings. Renumbered pages in upper left corner. pp. 1-13, (1p.) 14-73, (1p.), 74-87, (1p.), 88-133, (1p.), 134-185, 185a-185c, (186-189), 190-192, (1p.), 193-194, 199pp. Young/Mann 20B
214.	Typescript. Cuts and corrections in the setting copy to fit in at page 33 in the original typescript, page 106 in the setting copy. Typescript and pencil manuscript. pp. 33, (7pp.). 8pp.
215.	Typescript. Cuts and corrections in the setting Copy to fit in at page 53 in the original typescript, page 129 in the setting copy. Typescript w/pencil corrections. pp. 53-61, 64-65, 67-102. 47pp. Young/Mann 2OFiv and 20Fv
216.	Typescript. Cuts and corrections in the setting copy to fit in at page 107 in the original typescript, page 137 in the setting copy. Typescript w/pencil corrections. 1p.
217.	Typescript. Cuts and corrections in the setting copy to fit in at page 130 in the original typescript page 161 in the setting copy. Typescript w/pencil corrections. 1p.
218.	Typescript. Cuts and corrections in the setting copy to fit in at page 150 in the original typescript, page 184 in the setting copy. Typescript and pencil manuscript. pp. (1p.), 150, (1p.), 151-168, 170-174. 26pp. Young/Mann 20Fiv and 20Fv
218a.	Typescript. Cuts from the setting copy fitting in at page 175 in the original typescript. W/pencil corrections pp.175-186. 12pp.
219.	Carbon Typescript. Another carbon of the typescript of Parts One and Two. Uncorrected. pp. 1-73. 73 pp.
See also
	# 617 , 645

[ top ]

Torrents of Spring
220.	EH Typescript. W/ink corrections and some pencil notes. Pencil note on Preface page: "(will probably cut this out)." Plus paper wrappers bearing EH notes and one small paper w/typist's directions. pp. (4pp.), 1-21, (1p.), 22-41, (1p.), 42-58, (1p.), 59-75, (1p.), 83pp. Young/Mann 21 [Oversize, Cage, Box 1, #15 (Paper Wrapper Only)]

[ top ]

True at First Light
	See African Book, # 223, 223a, and 223b .

[ top ]

Winner Take Nothing
221.	Manuscript. Pencil draft of epigraph to the collection. Drawing on verso. 2pp. Young/Mann 300
221a.	Manuscript Notes. Pencil list of stories considered for collection. 1p.
222 .	Setting Copy. Various typescripts and tear sheets from Scribner's Magazine and Death in the Afternoon ,and galleys. W/pencil corrections, instructions, and printer's markings. Tear sheets for "A Clean Well-Lighted Place," "The Sea Change," "Homage to Switzerland," "A Natural History of the Dead," "Wine of Wyoming," and "The Gambler, the Nun, and the Radio." Copy of galleys from the House of Books publication of "God Rest You Merry Gentlemen." pp. 1-7, (1p.), 8-16, 22-64, 64-103. 100pp. Young/Mann 22A
222a .	Galleys. Two galleys w/pencil corrections. Galley 1,the beginning of "The Light of the World," and Galley 9, part of "God Rest You Merry Gentlemen."2pp. [Oversize]

Text of custom html meta tags to make it searchable by the Google Applicance basic search